The Manifesto of January 3, 2000

  The Manifesto of January 3, 2000

  Bruce Sterling

  Bruce Sterling

  The Manifesto of January 3, 2000

  The rapidly approaching millennium offers a unique cultural opportunity. After many years of cut-and-paste, appropriation, detournement and neo-retro ahistoricality, postmodernity is about to end. Immediately after the end of the fin de siecle, there will be a sudden and intense demand for genuine novelty.

  Any new year offers a chance for sweeping resolutions and brave efforts at self- reform. But the end of a millennium offers a rare and vital opportunity to bury all that is dead within us and issue proclamations of particular scope and ambition.

  I suspect that a group that can offer a coherent, thoughtful and novel cultural manifesto on the target date of January 3, 2000 has a profound opportunity to affect the zeitgeist. (On January 1, everyone will be too hung over to read manifestos; on January 2, nobody's computers will work. So naturally the target date must be January 3.) In this preliminary document, I would like to offer a few thoughts on the possible contents of such a manifesto.

  The central issue as the new millennium dawns is technocultural. There are of course other, more traditional, better-developed issues for humankind. Cranky fundamentalism festers here and there; the left is out of ideas while the right is delusional; income disparities have become absurdly huge; these things are obvious to all. However, the human race has repeatedly proven that we can prosper cheerfully with ludicrous, corrupt and demeaning forms of religion, politics and commerce. By stark contrast, no civilization can survive the physical destruction of its resource base. It is very clear that the material infrastructure of the twentieth century is not sustainable. This is the issue at hand.

  We have a worldwide environmental problem. This is a truism. But the unprecedentedly severe and peculiar weather of the late 1990s makes it clear that this problem is growing acute. Global warming has been a lively part of scientific discussion since at least the 1960s, but global warming is a quotidian reality now. Climate change is shrouding the globe in clouds of burning rain forest and knocking points off the GNP of China. Everyone can offer a weird weather anecdote now; for instance, I spent a week this summer watching the sky turn gray with fumes from the blazing forests of Chiapas. The situation has been visibly worsening, and will get worse yet, possibly very much worse.

  Society has simply been unable to summon the political or economic will to deal successfully with this problem by using 20th century methods. That is because CO2 emission is not centrally a political or economic problem. It is a design and engineering problem. It is a cultural problem and a problem of artistic sensibility.

  New and radical approaches are in order. These approaches should be originated, gathered, martialled into an across-the board cultural program, and publicly declared -- on January 3rd.

  Global warming is a profound opportunity for the 21st century culture industry. National governments lack the power and the will to impose dirigiste solutions to the emission of carbon dioxide. Dirigiste solutions would probably not work anyway. It is unlikely that many of us could tolerate living in a carbon- dioxide Ration State. It would mean that almost every conceivable human activity would have to be licensed by energy commissars.

  Industry will not reform its energy base. On the contrary, when it comes to CO2 legislation, industry will form pressure groups and throw as much sand as possible into the fragile political wheels. Industry will use obscurantist tactics that will mimic those of American right-wing anti-evolution forces -- we will be told that Global Warming is merely a "theory," even when our homes are on fire. Industry is too stupid to see planetary survival as a profit opportunity. But industry is more than clever enough to sabotage government regulation, especially when globalized industry can play one government off against the next.

  The stark fact that our atmosphere is visibly declining is of no apparent economic interest except to insurance firms, who will simply make up their lack by gouging ratepayers and exporting externalized costs onto the general population.

  With business hopeless and government stymied, we are basically left with cultural activism. The tools at hand are art, design, engineering, and basic science: human artifice, cultural and technical innovation. Granted, these may not seem particularly likely sources of a serious and successful effort to save the world. This is largely because, during the twentieth century, government and industry swelled to such tremendous high-modernist proportions that these other enterprises exist mostly in shrunken subcultural niches.

  However, this doesn't have to be the case. With government crippled and industry brain-dead to any conceivable moral appeal, the future of decentered, autonomous cultural networks looks very bright. There has never been an opportunity to spread new ideas and new techniques with the alacrity that they can spread now. Human energy must turn in some direction. People will run from frustration and toward any apparent source of daylight. As the planet's levees continue to break, people will run much faster and with considerably more conviction.

  Our cultural substance-abuse problem with CO2 may have very severe consequences to human happiness, but the immediate physical problem is rather well understood. Clever people, united and motivated, should be able to deal with this. Carbon dioxide is not a time-honored philosophical dilemma or some irreducible flaw in the human condition. Serious fossil-fuel consumption, as a practice on the grand scale, is only about 200 years old. The most severe rise in carbon emission occurred during the past fifty years. We're painfully dependent on this practice, but it's not as if we've married it.

  It's a question of tactics. Civil society does not respond at all well to moralistic scolding. There are small minority groups here and there who are perfectly aware that it is immoral to harm the lives of coming generations by massive consumption now: deep Greens, Amish, people practicing voluntary simplicity, Gandhian ashrams and so forth. These public-spirited voluntarists are not the problem. But they're not the solution either, because most human beings won't volunteer to live like they do. Nor can people be forced to live that way through legal prescription, because those in command of society's energy resources will immediately game and neutralize any system of legal regulation.

  However, contemporary civil society can be led anywhere that looks attractive, glamorous and seductive.

  The task at hand is therefore basically an act of social engineering. Society must become Green, and it must be a variety of Green that society will eagerly consume. What is required is not a natural Green, or a spiritual Green, or a primitivist Green, or a blood-and-soil romantic Green.

  These flavors of Green have been tried, and have proven to have insufficient appeal. We can regret this failure if we like. If the semi-forgotten Energy Crisis of the 1970s had provoked a wiser and more energetic response, we would not now be facing a weather crisis. But the past's well-meaning attempts were insufficient, and are now part of the legacy of a dying century.

  The world needs a new, unnatural, seductive, mediated, glamorous Green. A Viridian Green, if you will.

  The best chance for progress is to convince the twenty-first century that the twentieth century's industrial base was crass, gauche, and filthy. This approach will work because it is based in the truth. The twentieth century lived in filth. It was much like the eighteenth century before the advent of germ theory, stricken by septic cankers whose origins were shrouded in superstition and miasma. The truth about our physical existence must be shown to people. It must be demonstrated repeatedly and everywhere.

  People with networks, websites and sophisticated sensors should not find this task very difficult.

  The current industrial base is ou
tmoded, crass and nasty, but this is not yet entirely obvious. Scolding it and brandishing the stick is just part of the approach. Proving it requires the construction of an alternative twenty-first century industrial base which seems elegant, beautiful and refined. This effort should not be portrayed as appropriate, frugal, and sensible, even if it is. It must be perceived as glamorous and visionary. It will be very good if this new industrial base actually functions, but it will work best if it is spectacularly novel and beautiful. If it is accepted, it can be made to work; if it is not accepted, it will never have a chance to work.

  The central target for this social engineering effort must be the people who are responsible for emitting the most CO2. The people we must strive to affect are the ultrarich. The rentiers, the virtual class, the captains of industry; and, to a lesser extent, the dwindling middle classes. The poor will continue to suffer. There is clearly no pressing reason for most human beings to live as badly and as squalidly as they do. But the poor do not emit much carbon dioxide, so our efforts on their behalf can only be tangential.

  Unlike the modernist art movements of the twentieth century, a Viridian culture- industry movement cannot be concerned with challenging people's aesthetic preconceptions. We do not have the 19th-century luxury of shocking the bourgeoisie. That activity, enjoyable and time-honored though it is, will not get that poison out of our air. We are attempting to survive by causing the wealthy and the bourgeoisie to willingly live in a new way.

  We cannot make them do it, but if we focussed our efforts, we would have every prospect of luring them into it.

  What is culturally required at the dawn of the new millennium is a genuine avant-garde, in the sense of a cultural elite with an advanced sensibility not yet shared by most people, who are creating a new awareness requiring a new mode of life. The task of this avant-garde is to design a stable and sustainable physical economy in which the wealthy and powerful will prefer to live. Mao suits for the masses are not on the Viridian agenda. Couture is on the agenda. We need a form of Green high fashion so appallingly seductive and glamorous that it can literally save people's lives. We have to gratify people's desires much better than the current system does. We have to reveal to people the many desires they have that the current system is not fulfilling. Rather than marshalling themselves for inhuman effort and grim sacrifice, people have to sink into our twenty-first century with a sigh of profound relief.

  Allow me to speak hypothetically now, as if this avant-garde actually existed, although, as we all know, it cannot possibly come into being until January 3, 2000. Let's discuss our tactics. I have a few cogent suggestions to offer.

  We can increase our chances of success by rapidly developing and expanding the postmodern culture industry. Genuine "Culture" has "art" and "thought," while the Culture Industry merely peddles images and information.

  I know this. I am fully aware of the many troubling drawbacks of this situation, but on mature consideration, I think that the Culture Industry has many profound advantages over the twentieth century's physically poisonous smokestack industries. Also, as digital technologists, thinkers, writers, designers, cultural critics, und so weiter, we Viridians suspect that the rise of the Culture Industry is bound to increase our own immediate power and influence vis-a-vis, say, coal mining executives. This may not be an entirely good thing. However, we believe we will do the world less immediate damage than they are doing.

  We therefore loudly demand that the Culture Industry be favored as a suitably twenty-first century industrial enterprise. Luckily the trend is already very much with us here, but we must go further; we believe in Fordism in the Culture Industry. This means, by necessity, leisure. Large amounts of leisure are required to appreciate and consume cultural-industrial products such as movies, software, semi-functional streaming media and so on. Time spent at more traditional forms of work unfairly lures away the consumers of the Culture Industry, and therefore poses a menace to our postindustrial economic underpinnings.

  "Work" requires that people's attention to be devoted to other, older, less attractive industries. "Leisure" means they are paying attention and money to us.

  We therefore demand much more leisure for everyone. Leisure for the unemployed, while copious, is not the kind of "leisure" that increases our profits. We specifically demand intensive leisure for well-educated, well-heeled people. These are the people who are best able to appreciate and consume truly capital- intensive cultural products.

  We Viridians suspect that it would require very little effort to make people work much less. Entirely too much effort is being spent working. We very much doubt that there is anything being done in metal-bending industry today that can justify wrecking the atmosphere. We need to burn the planetary candle at one end only (and, in daylight, not at all).

  As much time as possible should be spent consuming immaterial products. A global population where the vast majority spend their time sitting still and staring into screens is a splendid society for our purposes. Their screens should be beautifully designed and their surroundings energy-efficient. The planet will benefit for everyone who clicks a mouse instead of shovelling coal or taking an axe and a plow to a rain forest.

  The tourist industry is now the number one industry on the planet. Tourists consume large amounts of pre-packaged culture. We believe tourism to be a profoundly healthy development. We feel we must strongly resist the retrograde and unprofitable urge to make migrants and migration illegal.

  Given the unstable condition of the environment, this practice may soon become tantamount to genocide. It is also palpably absurd to live in a society where capital can move faster and more easily than human beings. Capital exists for the sake and convenience of human beings.

  We believe that the movement of human beings across national boundaries and under the aegis of foreign governments is basically a design problem. If guest workers, refugees, pleasure travellers and so forth were all electronically tracked via satellite or cell repeaters, the artificial division between jet setters and refugees would soon cease to exist. Foreigners are feared not merely because they are foreign, but because they are unknown, unidentified, and apparently out of local social control.

  In the next century, foreigners need be none of these things. Along with their ubiquitous credit cards and passports, they could carry their entire personal histories. They could carry devices establishing proof of their personal bona fides that would be immediately obvious to anyone in any language. A better designed society would accommodate this kind of human solidarity, rather than pandering to the imagined security needs of land-based national regimes.

  We believe that it should be a general new design principle to add information to a problem, as opposed to countering it with physical resources (in the case of migrants, steel bars and barbed wire). Electronic tracking seems a promising example. While the threat to privacy and anonymity from electronic parole is obviously severe, there is nothing quite so dreadful and threatening as a septic refugee camp. We consider this a matter of some urgency. We believe it to be very likely that massive evacuations will occur in the next few decades as a matter of course, not merely in the disadvantaged Third World, but possibly in areas such as a new American Dust Bowl. Wise investments in electronic tourist management would be well repaid in stitching the fraying fabric of a weather-disrupted civilization.

  For instance, we would expect to see one of the first acts of 21st century disaster management to be sowing an area with air-dropped and satellite-tracked cellphones. We believe that such a tracking and display system could be designed so that it would not be perceived as a threat, but rather as a jet- setter's prestige item, something like a portable personal webpage. We believe such devices should be designed first for the rich. The poor need them worse, but if these devices were developed and given to the poor by socialist fiat, this would be (probably correctly) suspected as being the first step toward police roundup and a death camp.

  Replacing natural resources with inf
ormation is a natural area for twenty-first century design, because it is an arena for human ingenuity that was technically closed to all previous centuries. We see considerable promise in this approach. It can be both cheap and glamorous.

  Energy meters, for instance, should be ubiquitous. They should be present, not in an obscure box outside the home, but enshrined within it. This is not a frugal, money-saving effort. It should be presented as a luxury. It should be a mark of class distinction. It should be considered a mark of stellar ignorance to be unaware of the source of one's electric power. Solar and wind power should be sold as premiums available to particularly affluent and savvy consumers. It should be considered the stigma of the crass proletarian to foul the air every time one turns on a light switch.

  Environmental awareness is currently an annoying burden to the consumer, who must spend his and her time gazing at plastic recycling labels, washing the garbage and so on. Better information environments can make the invisible visible, however, and this can lead to a swift re-evaluation of previously invisible public ills.

  If one had, for instance, a pair of computerized designer sunglasses that revealed the unspeakable swirl of airborne combustion products over the typical autobahn, it would be immediately obvious that clean air is a luxury. Infrasound, ultrasound and sound pollution monitors would make silence a luxury. Monitor taps with intelligent water analysis in real-time would make pure water a luxury. Lack of mutagens in one's home would become a luxury.

  Freedom from interruption and time to think is a luxury; personal attention is luxury; genuine neighborhood security is also very much to be valued. Social attitudes can and should be changed by the addition of cogent information to situations where invisible costs have long been silently exported into the environment. Make the invisible visible. Don't sell warnings. Sell awareness.

  The fact that we are living in an unprecedently old society, a society top- heavy with the aged, offers great opportunity. Long-term thinking is a useful and worthwhile effort well suited to the proclivities of old people.